Review: "Hot Cakes"

Cross posted from InvadeNola, where this will be appearing on June 16:

On the first episode of the #TeamNOLAFilm podcast, we discussed the need for a real investment in local filmmakers and their projects. We have so many out of town productions coming IN to the area which is great, but not enough local projects coming OUT. Do producers need a good example of what New Orleans talent can make?

"I have been waiting all morning for a man with half a heart."

Marty, fresh out of prison, visits his regular post jail release diner.  His body language says he's yearning for a calmer future, but the scars on his face suggest something different; something deeper. Two other ex cons see this as well, and soon the three men are conversing over plates of pancakes. But there is more to their encounter than just short stacks...

Described as a sort of neo noir / urban western, "Hot Cakes" has a surreal nature to it; at times like Lynch, other times like Aronofsky. The appropriately timed music, the cryptic at times dialogue, the interesting framing (there is a Knight suit behind Marty in some shots) and even the setting - which comes off like a purgatory type meeting place for these characters - all makes the audience ask "what's this all leading to?" and "what does this all mean?".

Well, what DOES it all mean? What IS it leading to? A fortune teller in the diner is drawn to Marty, and makes a startling prediction for him; will it turn out to be correct? Will Marty be forced into a compromising position? His new friends certainly wish to pull him back into his harsh past. Will they succeed? The film's aesthetic gives everything - including eating breakfast - a sense of impending doom. And by the time the end credits roll, this sense still lingers; things just don't look good for Marty, in OR out of the diner. Is he in trouble no matter what? I absolutely loved this.

"No one should ever come here. I had teeth when I came here."

My only complaint is that it ended. I would like to see what the director Jo Custer could do with a feature length script. She's an example of the kind of local talent who deserve a shot. For Hollywood South to move forward, out of town producers bringing projects to the area need to make a meaningful investment in local filmmakers. Is an example of good local work needed? I just provided one.

4/5 *'s

Help Kickstart Movies To Geaux

Image via Wikipedia

I'm old enough to remember what going to a drive in movie was like. It was similar to watching a Fourth of July fireworks display; lots of people, lots of cars, lawn chairs, and snacks under a starry night.

You would think that watching a movie in a quiet setting and more enclosed environment would be preferable, but outdoor cinema provides an excellent communal / party like atmosphere, perfect for socializing.

Unfortunately, the State of Louisiana no longer has any operating drive in theaters. Can outdoor cinema make a comeback and thrive in the Pelican State? The New Orleans Film Society certainly hopes so:

"For the first time, in 2011, NOFS decided to offer movies al fresco and hosted the largest outdoor film events the city had ever seen (nearly 1,000 people gathered for our first event at NOMA's Besthoff Sculpture Garden!). In 2012, we're expanding in this arena and are eager to purchase equipment so we can essentially be "on the geaux" with our very own mobile cinema system. We want to bring together audiences for exciting free and low-cost film events in neighborhoods around the city. We see the potential to show a wide range of films as part of Movies To Geaux: classics, cult films, Louisiana favorites and more."

This is excellent news. Maybe it's not a "classic" drive in, but it is able to bring movies to any/every park, rooftop, neighborhood and side of building in the area, providing moviegoers with an extremely one of a kind event. Imagine a horror double feature in the abandoned Six Flags site, or watching a classic like "All The Kings Men" in Duncan Plaza (across from City Hall). Maybe "Steamboat Bill, Jr." by the lake? These are the type of events that NOFS can bring to life.

And outdoor cinema easily trumps 3D, in my opinion. Sure, in Southeast Louisiana, you'd be trading in air condition for humidity and maybe mosquitoes, but any film fan can live with that; watching Hal 9000 plot murder under a crystal clear night while discussing the movie with friends easily beats watching Nicolas Cage throwing an axe at the screen of a corporate multiplex while remaining absolutely quiet.   

To fund this project, NOFS need to raise $4,500 in 28 days (as of this posting). A modest investment would go a great way to providing a more social movie going experience for the NOLA community. Why not chip in?

Help Kickstart The Alamo Underground

Not too long ago, a friend and I drove from the northshore to catch a free movie screening at this run down, danky, humid garage - the kind that might host a kidnapping. And it was fun. 

The Alamo Underground, named for it's architectural similarity to The Alamo, was an ambitious, community driven venue for artists of all kinds. I only ever attended one event (a "Battle Royale" screening), but from what I observed, the people behind the operation were pretty serious about becoming an alternative space for creativity. I hadn't heard from the group for months, until the other day:

The Alamo Underground got it's start in 2006 (post Katrina) as an underground theater operated inside an old horse stable. It had to shut its doors in 2008. In 2010, I found the treasure and resurrected the space [with great help] for movie nights, live music, local events, and fundraisers. Movie nights were free and bands worked for tips. It was a lot of hard work, turning a swamp infested roach eaten space into an underground community, but it was done.
From August 2010 until April 2011, the Alamo greeted great New Orleans talent such as Aurora Nealand, Debauche, Tuba Skinny, Never Ever, Tom Worell, as well as visiting acts such as David Bazan and Zeina Mokaiesh.
Then the roof collapsed.

The people behind The Alamo Underground have just started a kickstarter page, and hope to re-open in November:

Now, I have the opportunity to re-open the Alamo on the up and coming Freret Street. The space is connected to La Nuit Theater- which got its start as a speakeasy theater for local comics.
New Orleans has a surge of amazing talent operating underground, in speakeasies and abandoned building. The idea is to have a collective venue for these like minded people. A bagel bar will be constructed courtesy of Sugerman's Bagel Speakeasy, and local artists will display their art for reasonable prices. Freret Street currently has little-to no live local music acts, even though the street is permitted for such use.

I haven't seen the new property, but I'm really excited about this. Aside from being a new performance space for bands like Tuba Skinny, Egg Yolk Jubilee and Arajay, we might also see unique film events, like a performance of "Gravity Was Everywhere Back Then" or Crispin Glover screening either of his "It" films. Along with Nola DriveIn, it looks like New Orleans might be seeing a slight surge in community/guerrilla film screenings.

As of this posting, $870 have been raised. Help them reach their $4,000 goal. Every little bit counts.