Review: "Life Itself"

In his review of the 3D re-release of Titanic, film critic Roger Ebert wrote:

"James Cameron's film is not perfect. It has some flaws, but I hate the way film critics employ that word "flaw," as if they are jewelers with loupes screwed into their eye sockets, performing a valuation."

This is a line that I not only agree with wholeheartedly, but something I have taken as advice when criticizing
a movie. In college, a good friend of mine would often ask me to define what art is, and if it can be confined to just a few mediums. The answer lies in the mind of the beholder - anything can be considered art, from brick laying to murder (my college friend suggested that last one). To expand further, an art form should not and cannot be confined to a strict standard. Sure, there are basics in storytelling and expression through film, but they can be creatively manipulated and re-imagined in all sorts of ways. Basically, movies are not to be examined as one would a diamond. A movie can be more than one thing.

Roger Ebert spent his career as a film critic observing and picking apart cinema, explaining why and how, from his point of view, what kind of thing or things a particular movie was. His body of work was elegant, evocative and accessible, enlightening many a reader. This I knew. What I didn't know was that Roger was initially assigned to be a film critic. Fate?

Review: "GreasePaint"

I have great respect for pro wrestlers. Ever since 2000, when my older brother took me and others to a Monday Night RAW TV event, I’ve read books, watched old tapes and absorbed as much information as I could on the subject. We’re watching guys and gals perform daring feats of strength and courage, tell a story with their body language and be charismatic enough to connect with people; silent film acting is alive and well, people! I could basically sum it up with “The Wrestler got it right. All of it.” Seriously. Mad props to these performers.

Clowns, on the other hand...

No, I don’t dislike clowns - I’m just indifferent towards them. Once, my parents took me to a circus. During the show, a clown came through the crowd, to pick a kid to join him. When he came to me, I just shrugged, shook my head and let out a half hearted “eh”. It wasn’t anything personal; clowns just never connected with me. Sure, watching Bozo on TV was fun, but mostly to see if one of those kids would eventually win the ball toss game.

Review: "Room 237"

On my DVD shelf sit two movies that I consider among the best I’ve ever seen: Pi and JFK. Both movies deal with lead characters obsessed with their current problems and slowly (but surely) becoming paranoid, seeing conspiracy in everything. Both are less about “the truth” or “the answer” and more about how one can lose oneself in the pursuit of their obsessions. Growing up with OCD, I certainly understand.

Room 237 joins in on the action, except it switches dramatized people and fictional characters for real ones - making what is shown more interesting and (believe it or not) more frustrating to watch. Not really a documentary and not really a “movie”, Room 237 is more like an essay in a style similar to F for Fake. Made up of a series of interviews from film buffs and scholars, we get a frame by frame deconstruction of the messages and meanings behind Stanley Kubrick’s The Shining.

Review: "Cleanflix"

There is a great website with a great community of video editors called FanEdit.org. They encourage the re-imagining, re-organizing and re-editing of popular movies and TV shows - like, for example, a Grindhouse style version of "Star Wars".

To avoid any legal troubles, the site makes it clear that edits using sources not legally obtained will not be allowed. Of course, they mean torrents and bootlegs, but even software that rips video off of DVD's can be attacked. If I pay $20 for a Julia Roberts film, I should be able to remove her from it, right?

We own it, so why can't we change it?

Hollywood and major music labels are so far behind the times. As proof, all you have to do is watch "Cleanflix". In this documentary, we witness the rise and fall of video stores in Utah (and a few other states) that offered rentals for movies that have been edited for family viewing. If you wanted to see "Titanic" minus Kate Winslets' nude body, they had a copy.

I remember reading about Ted Turner wanting to colorize "King Kong", and I'm very familiar with George Lucas constantly changing "Star Wars" while holding back the theatrical versions. There is a difference between those actions and the ones in "Cleanflix". It's called demand. People actually wanted slightly censored versions of popular movies, and they were willing to pay money for them. They weren't owners of those properties like Turner and Lucas, meaning that the original films with their original intent would remain intact for other people to view.

The customers just wanted another option, is all. It's interesting how this battle could be boiled down to self censoring repressive customers vs. oppressive rights holders and artists. Which side does one take, huh? The store owners just wanted to sell a product. No ideological agenda necessary for them, just the joy of providing a service and giving people movies (even if watered down). The legal challenges from California and the religious beliefs of the local community would take such a toll on this niche market that chain stores would close and owners would struggle and crumble under the pressure of it all. That such drama could come from video rentals is amazing.

Now, most stores have been replaced by kiosks and on demand services. It's funny watching someone outside of a grocery, trying to rent a movie while blocking out the glare from the sun to see the screen. Digital downloads are more my thing, but some come encoded to avoid "piracy". What if I wanted to make an amusing youtube clip? To those that break on through and make re-purposed videos, I salute you.

4/5 *s

@NOFS Review: "Herman's House"

Cross posted from MoviePass:

A good friend of mine and I have had many a late night discussion about scripts involving characters in prison. This is mostly because of our deviant interest in HBO's OZ and our willingness to write characters who live tortured lives. The one thing that always comes up in our talks is the idea of redemption. Is it possible for an ex con to live a normal life in public AND be accepted by others?

Usually, there is a stigma attached to former prisoners (especially sexual offenders) that prevents them from gaining employment, making friends and even enjoying their freedom. And, in some cases, they go right back behind bars because of a community's inability to let them move on. Can any one prisoner - current or former - change people's minds?

Artist Jackie Sumell began a pen pal kind of relationship with Herman Wallace, an inmate at Angola Prison in Louisiana, after learning about his solitary confinement. A 30 some odd YEAR solitary confinement. For a crime he and others say he didn't do. In an effort to help spread the word about his plight - and to help him mentally/emotionally - she asked him "What kind of house does a man who has lived in a six-foot-by-nine-foot cell for over 30 years dream of?”. Thus began an intriguing art installation setup, and a noble community home project.

"Herman's House" is wonderful in how it paints its central figure, Herman, without ever showing his face. He is heard through phone conversations and seen in old, faded pictures. You would think that a documentary crew would be granted some one on one time with this man... But this only further illustrates not only how cut off Herman is from society, but how he perseveres despite this lack of contact.

Mr. Wallace is extremely articulate, compassionate and inspiring. A young former inmate beams with energy when talking about meeting this man, and how he changed his life. A fellow black panther gladly represents him on the outside. And a lawyer is stunned when Herman offers evidence for a case he is working on; one that would cause Herman's family much grief. When asked why he would be willing to do this against the wishes of his kin, he said "Because it's the right thing to do."

Much of the movie involves Jackie and her efforts to make Herman's House a real home for local NOLA children a reality. She faces roadblock after roadblock, much to the detriment of her own well being. However, she doesn't see it that way. She may be in debt, making little to no money and have a lack of support for this campaign, but she moves on anyways. She believes in Herman, and will continue to fight for him "because it's the right thing to do".

For one man to be such a beacon of inspiration while living under horrendous conditions is amazing. In my opinion, people like Herman Wallace - reformed ex cons, social workers, activist parents - ought to be in the spotlight more often. THEY are fighting the battles that REALLY matter. Sure, they may not be on tv, throwing out zingers at political opponents, but that's only because it would be a waste of time. They are leading strikes, forming community projects and changing minds. Because it is the right thing to do. I'd be willing to bet that most regular people would agree.

4/5 *'s

"Herman's House" will be screening at this years New Orleans Film Festival on October 14th and 15th (filmmaker in attendance on the 14th). Get your tickets here.

@NOFS Review: "True Family"

Cross posted from the MoviePass blog:

When you think of New Orleans, what comes to mind? Food for some. Hurricanes for others. Movies for me. And, of course, no thought about the city should be without the most obvious answer - music. You don't even have to leave your stoop to hear a juicy tune playing. Without that element, this city wouldn't be as alive as it is.

And which performer best represents this?

Meschiya Lake is a sort of revivalist style jazz singer, belting out wonderful notes on street corners for tourists and city dwellers alike. She has a background in circus acts, a plethora of tattoos and looks/sounds dynamite. She bikes around town, joyfully training her voice for the next song. She is strong, fun and very talented. Alive is the perfect word to describe her.

Before watching "True Family", I had never heard of Meschiya (I ought to be shot). I knew of bands like Tuba Skinny (who were nice enough to let me use their music for my #TeamNOLAFilm podcast), but that was about it. Knowing what I know now, I'm hit with a wave of sadness that there was a whole musical community in the area that I was unaware of - This was followed by absolute happiness when I discovered her album on Spotify. But what really impresses me here is how, through this singer, we are given a novel glimpse of a thriving young creative crew.

You see, this is really more a profile on an artistic circle - one that works with one another. Musicians help each other out, floating from band to band, getting the word out and improving the culture. Others like dancers and designers get in on the act, contributing their talents not so much for the money (the little that is available), but for the joy of expression. This look at the New Orleans music culture makes my heart flutter. 

Recently, there was a tiny spat that spilled onto social networks between two local film organizations, with one accusing the other of monopolizing venues. Ironically, both groups encourage teamwork from everyone involved in the movie community, from directors to critics. Can we call the NOLA film community a true family? Well, sometimes families do argue...

3/5 *'s

"True Family" will be showing at this years New Orleans Film Festival on October 15th. Buy your tickets here.

Review: "Land of Opportunity"

My Aunt Earline was one of the many New Orleanians to have their homes damaged by the floods during Katrina. I have lots of fond childhood memories of the bar in the downstairs room, the piano that was rarely used, the Charles Chips tins that littered the floor and the ecosystem that was the backyard pool.

The water ruined family pictures, home movies, furniture, etc. The home still stood - what was left, anyways.

"Land of Opportunity" starts from this point - the damage after the storm - and moves forward about 5 years. The politicians and pundits have had their say for long enough, but what about those on the ground, affected and dealing directly with the recovery? LOP is most concerned with them. This is no Michael Moore documentary, where the narrator is the central character - community activists, engineers, students, homeowners and undocumented workers are front and center here. And really, that's how it should be for this story.  

Land of Opportunity - Trailer from Land of Opportunity on Vimeo.

Of most interest to me was the fight for the right of displaced residents to return to their homes. Lead by concerned citizens like the great Sharon Jasper, I saw the beginnings of what would become the #Occupy movement. Told that the St. Bernard projects would be torn down to make way for a new neighborhood design, Sharon and other protesters broke down the barriers and literally took back their homes! The engineer tasked with changing the area up even agreed that the buildings could and ought to be reused. It really shows how ass backwards some officials are, when they pick difficult/costly over simpler/effective.

The buildings are eventually taken down. A sign reading "Housing is a human right" marks a fence while a wall is demolished in the background. After visiting a neighborhood in the Atlanta area that's being used as a template for the new construction, Sharon appears to like what she sees. But, she makes it clear that as long as displaced residents are held back from returning, she will keep fighting. I love her.

The movie tries to be a bit optimistic about the future; even Barack Obama (then Senator) shows up to discuss what he would do, and how enthusiastic he was about doing it. But, if anything is highlighted here, it's the snails pace of change. Why is it taking so long to recover when able bodied men and women are ready to help? The key word here is F R U S T R A T I N G.

My Aunt was able to return to her home, thanks to the generosity of the community. People came together, and donated their time and money to help her out. Sure, she lost the swamp like pool in the backyard, but at least there is a backyard to enjoy. The home is livable again, thanks to her neighbors.

There are people that love this city, and are willing to do what they can to restore and reform it. Why hold them back? Why not let them at it?

I linked to the films' website above. Currently, they are creating an interactive web player that will help viewers take the plunge and learn more. If you can, show your support by either donating or spreading the word!

4/5 *'s

Review: "YERT"

At this moment (of writing), I am drinking some sugar free mix out of a used Powerade bottle. Normally, I would just dump the bottle into the recycling can and wait until the 2nd or 4th Saturday of the month to bring it to the local recycling center. But tonight, I have cut out the middle man and recycled something myself.

"YERT: Your Environmental Road Trip" features three individuals who put shame to my Earth saving attempt. See, they spent a year on the road, going through all 50 states of this country, documenting people and organizations dedicated to ecological progress and anything/everything green. Along the way, they cut down on their personal trash, gauged electricity use and lived out of a hybrid - man do I feel lazy.

The trio's road trip is very enlightening, and at times emotional. At one point, they visit a man who has lost his family and friends due to his unwillingness to allow coal companies to work on his land. If they were to do so, the results would be quite drastic; removal of soil that prevents forests from coming back, black drinking water, cancer and other illnesses for residents, etc. The C in coal stands for "clean"? Doesn't look like it. For this man to continue living on his land is a last stand and a statement that far too FEW of us are making.

But, luckily, there are MANY in this country that are showing us a future worth fighting for. Like the guy who makes products out of trash. Or the company that builds Earth Ships - life supporting, carbon zero housing. How about the Solar Roadways project, that looks to change the electrical grid by making roads that collect solar energy? And community currencies like Berk Shares and Ithaca Hours?  These are but a few of the exciting things going on RIGHT NOW in America. "YERT" is at its best when covering these little known gems.

So, should I feel bad that I've only contributed little while this trio has done and exposed so much? Probably not. "YERT" is not looking to shame you, but rather to inspire you. If that inspiration leads you to reusing plastic bottles, wasting less water or riding your bike more often, then all the better. No need to become a hippie overnight. Now, with your permission, I'd like to finish my drink.

4/5 *'s

Review: "I Need A Hero"

 "There are no gay characters in the Marvel Universe." - Jim Shooter

The above quote punctuates a story about one of the first appearances of gay characters in a major comic; two stereotypical gay men raping Bruce Banner in a YMCA. Such a statement would be enough to make anyone go green with rage.

"I Need A Hero" - a short documentary now touring the festival circuit - offers a glimpse into the culture of LGBT (lesbian, gay, bi sexual and transgender) comics and its representation in popular issues. When I say (or write) glimpse, I really mean just that. Clocking in at under 14 minutes, the short is made up mostly of interviews with comic book writers, featuring amusing anecdotes, interesting stories and frustrations about releasing "queer comics". While it's been a while since I bought a comic, these guys show an enthusiasm for their work that makes me want to read again. Though, I can't say that I was ever an Archie fan...

There are breaks in the documentary that feature super hero quotes that, in the context of the subject, are quite inspiring, and work as a rallying cry for progression within the industry. This is where the short shines; showing us the irony of forward thinking characters that are published and exploited by stubborn organizations.

The only thing holding this back is the length. So much to cover, with not enough time. And what it does cover is stuck in modern times - not much info about past comics. But, it does work really well as a teaser for a future feature length doc, which, if I understand correctly, is the goal. That will be something to catch once completed.

I'd like to think that America has moved forward when it comes to representing LGBT themes and characters in pop culture, but I know that there's still an uphill battle in fighting ignorance and horrible stereotypes (same when it comes to people with disabilities). We could certainly use a hero to help out. Good thing for us, the (Marvel) Universe is an awfully big place. Right, Mr. Shooter?

3/5 *'s

@NOFS Review: "Scrappers"

Full disclosure - I am currently one of the many Americans without a job. Like others who are gainfully unemployed, I applied at many different places; data entry facilities, customer service groups, hospitals, department stores and even a few fast food joints. No bite. I have sense attempted to go a different route - stop trying to find an opening, and make myself one. I'm still not where I want to be, but this plan is at least producing better results.

"Scrappers" tells the story of two men who, kind of like me, are making their job opening, albeit in a different field. See, they scour their local area for scrap metal - aluminum, iron, copper, etc. - and sell them to a junkyard for a profit. Well, hopefully for a profit; like what I'm currently doing, money isn't always guaranteed. These guys are taking a lot of risk; police tickets, sharp metals, heavy lifting, car breakdowns, fights - all for a small reward.

But, for Otis and Oscar - a senior and an undocumented immigrant - it's not all about the reward. Both men take much pride in what they do, and feel that they are providing a necessary service for their community. This is like the feeling most people have by default of being employed - the feeling that they are doing something with themselves. The feeling that they are contributing, as opposed to "taking a handout" from others. You show me a Republican who believes some people "just don't want to work", and I'll show them this movie.

Even when the economy took a hit in 2008, putting many scrappers out of work (the price of metals fell), Otis and Oscar took on jack of all trades type positions (painting, garage sales, etc). No matter what happens, no matter how hard they get hit, they WILL find work, dammit. And they WILL survive. I may be more fortunate than these men, but I could learn a thing or two from their story. Blogging aint the only job I can do, after all...

This documentary will be screened, for free, on Thursday May 17 at The Green Project Warehouse in New Orleans at 7pm, to be followed by a Skype Q&A with the filmmakers. Be there.

4/5 *'s

@NOFS Review: "A Por Por Funeral for Ashirifie"

My grandfather’s name was Willie Laurendine, but we called him Paw Paw. He was a bus driver for the city of New Orleans. In Ghana, there is a style of music played by a union of bus and truck drivers known as Por Por, which is pronounced Paw Paw. This music is only performed by them at the funerals of fellow workers – funerals that share similarities with the jazz funerals of New Orleans.

Despite this almost Six Degrees of Kevin Bacon style connection I had with “A Por Por Funeral for Ashirifie”, there was little else for me to latch on to.

It’s not the fault of the subject matter – a variation of a jazz funeral, performed with antique car horns and played exclusively by an African driver’s union – which I was excited to learn more about; it was the presentation. There is no attempt to tell the audience about the history of this music, its importance in the area, or even who Nelson Ashirifie Mensah (this was his funeral) was as a person. We are only treated to what has to be at least 45 minutes of nonstop horn honking and street dancing (the movie is just under an hour) and a few title cards that describe the upcoming action. That’s it. Were they just dead set on making this almost feature length?

I know it’s easy to just point your one camera and shoot, but if you’re making a documentary about a little known subject, you HAVE to give the audience some information outside of a few words on a screen; interviews, historical archive materials, narration and editing are all helpful tools. Most audiences aren’t interested in the raw footage of a trip you once took.

The Por Por music reminded me of the wonderful intrusiveness of the whistle tip craze (google it); both are loud and proud. When a member of this union dies, the whole town knows, and – at least for the rest of the day – the noise will not let anyone forget. That I like.

The filmmakers are coming to New Orleans on March 23 to screen the film, and will be accompanied by a live demonstration and panel discussion. This is an excellent opportunity to learn more about this unique culture. I guarantee it’ll be more informative than the movie itself.

1/5 *'s